If there has been One lens that “made the difference” for me this year, it changed into the Canon f4 11-24mm incredible wide zoom.
When I first got my arms on the lens early this year, I turned intrigued as to what sort of photographs it might produce, but it’s 3.Five+ lbs of weight and most aperture of f4 didn’t have me overly excited with its capacity for taking pictures of nighttime aerials.
I’m also (commonly) now not partial to lenses wider than 24 mm as a widespread rule, and particularly not anything wider than 15mm due to distortion. As they are saying, first impressions can be deceiving…
I honestly didn’t account for it becoming a without a doubt ESSENTIAL piece of tool for me on Project AIR.
Which – as a maximum of you already know – turned into a project largely shot at night (wherein fast glass with huge apertures and lightweight equipment layout play important roles within the gear that we selected to convey up in the air).
Since getting the lens, I have to have shot somewhere inside the vicinity of 10,000+ images with it, a fairly first-rate quantity to get a great feel of what it can do.
I can quite genuinely say it has effortlessly turned out to be certainly one of my preferred lenses Canon has ever made and most notably in terms of how unique and sharp the photographs that come off of this lens are.
While I can’t share all of the images I would love to that I shot with the lens now (many of them have made it into the approaching e-book of the challenge so can’t be shared just yet), I need to interrupt down why this lens have become so useful to me this yr.
The versatility of the lens is terrific – you can get these lovely, epic, huge establishing photographs at 11mm.
Thru to everyday wide shots at 24mm – notable for each stills photographers and filmmakers looking for superb options in an unmarried extensive attitude lens. I suppose this lens will become EXTREMELY famous among filmmakers really.
The build great is likewise wonderful and it’s extremely stable to deal with and use. The zoom ring has exceptional, constant strain all through the variety, consciousness is rapid and accurate and the layout of the optics is definitely spectacular.
Warding off barrel distortion that’s normally visible in excellent huge zooms and with facet-to-edge sharpness and illumination with minimal chromatic aberration.
For Project Air, the eleven-24mm focal range for my 5DS has become a great pairing. Much of my stills work has been at high altitudes (on occasion as an awful lot as 11,000 ft above the floor) and taking pictures of the massive, huge.
Open expanses of the towns beneath with this lens have been a real pleasure. Even at a maximum aperture of f4, I was nonetheless able to push ISO and maintain shutter speeds high enough to get smooth pics like these (which had been absolutely captured just at sunrise.
So with no longer an extraordinary deal of ambient mild) with no motion blur.
This lens allowed me to seize perspectives of cities I’ve seldom visible earlier than – in big part likely because of the fact that sharp eleven mm lenses are extraordinarily uncommon inside the photography international.
Dave Geffin my BTS video/picture shooter on AIR often discovered the usage of the eleven-24mm at night time on the C300 quite proper, pushing ISO to nonetheless get clean stills and video paintings with the lens at f4.
A few instances of pictures of our flight at nightfall over Barcelona, which he shot with a 5D Mk3. You can see perspectives and areas of view from the helicopter cockpit which might be noticeably uncommon, and in reality “open up” a tight area.
The eleven-24mm is high-quality for filmmakers too. You can see the lens in action for a maximum of the primary 60 seconds of this GTech workflow video we shot where David used the 11-24mm inside the helicopter hangar in Barcelona to get a ramification of pictures I desired to detail in our workflow method.
So is the lens well worth the rate? For me, the answer is a clear “yes”. If constructed fine (and durable during travel) and high-quality optics are what you need.
And if the focal range of eleven-24mm (on a complete body) is what you need, you honestly can’t cross wrong with it. Action/Adventure, Sports, and Nature photographers could have little excuse to now not have this lens as part of their kit.
For myself and my group, this lens literally introduced content material for Project AIR that other lenses easy wouldn’t be able to offer.
The outstanding huge focal variety and significantly optical quality were what received me immediately.
With minimum barrel distortion and the brink-to-part sharpness and amazing illumination in the corners, you’ll recognize why this lens has made its way firmly into my go-to choice.
I used to say that the 2 “visit” lenses any photographer should have had been the 24~70mm 2. Eight II and 70~200mm 2.
Eight II – and that they might literally journey the sector with JUST those lenses and capture nearly something. The 11-24mm is now the final piece to that puzzle, with those 3 zoom lenses you’re quite plenty set to seize the arena.
If you’re no longer sure, I surprisingly advise taking the lens for a test power, and seeing what the fuss is about!
PRODUCT HIGHLIGHTS
- EF Mount L-Series Lens/Full-Frame Format
- Constant f/four Maximum Aperture
- Super UD, UD, and 4 Aspherical Elements
- SWC, Air Sphere, and Fluorine Coatings
- Ring-Type USM Autofocus Motor
- Internal Focus; Full-Time Manual Focus
- Weather-Resistant Design
- Rounded 9-Blade Diaphragm
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